Tagarchief: muziek

TV-tunes seventies and eighties

Als je 40+ bent, dan moet je ze toch kennen?

Betty Davis Two Remastered Re-issues

Deze nu ook graag nog op vinyl. Dit zijn re-issues op CD.
Mooie omschrijving van haar zangstijl:

Even more so than a soul shouter like Tina Turner, Davis was a singer for the feminist era, a take-no-prisoners sexual predator who screamed, yelled, grunted, purred, and cooed her way through extroverted material like “Anti Love Song,” “Shoo-B-Doop and Cop Him,” and “He Was a Big Freak.”

Betty Davis

Originally released 1973
They Say I’m Different

Originally released 1974
1. If I’m In Luck I Might Get Picked Up
2. Walkin Up The Road
3. Anti Love Song
4. Your Man My Man
5. Ooh Yeah
6. Steppin In Her I. Miller Shoes
7. Game Is My Middle Name
8. In The Meantime

PREVIOUSLY UNRELEASED BONUS TRACKS (1974)

9. Come Take Me
10. You Won’t See Me In The Morning
11. I Will Take That Ride
1. Shoo-B-Doop and Cop Him
2. He Was A Big Freak
3 Your Mama Wants Ya Back
4. Don’t Call Her No Tramp
5. Git In There
6. They Say I’m Different
7. 70’s Blues
8. Special People

PREVIOUSLY UNRELEASED BONUS TRACKS (1973)
Record Plant Rough Mixes

9. He Was A Big Freak
10. Don’t Call Her No Tramp
11. Git In There
12. 70’s Blues

Edwin Starr War footage

 

Edwin Starr (January 21, 1942 – April 2, 2003) was an American soul music singer. Born Charles Edwin Hatcher in Nashville, Tennessee, Starr is most famous for his Norman Whitfield produced Motown singles of the 1970s, most notably the number one hit “War”.
Edwin Starr was born in Nashville, Tennessee in 1942. He and his cousins (soul singers Roger and Willie Hatcher) moved to Cleveland, Ohio where they were raised.
In 1957 Starr formed a doo-wop group The Future Tones and began his singing career. Starr lived in Detroit, Michigan in the 1960s and recorded at first for the small record label Ric-Tic, and later for the famed Motown after it absorbed Ric-Tic in 1968.
The song which began his career was “Agent Double’O’Soul” (1965), a take-off on the James Bond films which were popular at the time.
He recorded more soul music for the next three years before having an international chart-topper in “25 Miles” (1968). As of 2005 it is one of only two Starr songs on oldies radio.
The biggest hit of his career, which cemented his reputation as a great soul artist, was the anti-Vietnam War protest song “War” (1970). A rousing tour-de-force, the vocals to “War” were – according to Starr – recorded in one take: an accomplishment which might make modern artists quail with apprehension. In explanation, Starr remained characteristically modest, explaining that he’d been allocated little studio time, so had to give each song his best shot.
Starr’s intense vocals transformed a Temptations album track into a #1 chart success, which spent three weeks in that top position on the US Billboard charts, an anthem for the antiwar movement and a cultural milestone that continues to resound a generation later in movie soundtracks and hip hop music samples.
“War” appeared on both Starr’s War and Peace LP and its follow-up, Involved. Involved also featured another song of very similar construction titled “Stop the War Now”, which was a minor hit in its own right.
Moving to England in 1973, Starr continued to record music into the 1970s, most notably recording the song “Hell Up In Harlem” for the 1974 film, Hell Up In Harlem, which was the sequel to Black Caesar, an earlier hit with a soundtrack by James Brown.
In 1979 Starr reappeared on the charts with a pair of disco hits, titled “(Eye-To-Eye) Contact” and “H.A.P.P.Y. Radio”. By now he had joined the well-established disco boom, and had further singles out on the record label 20th Century Records. Over the years he released tracks on many labels including Avatar, Calibre, 10 Records, Motown (a return to his former label for a 1989 remix of “25 Miles”), Streetwave and Hippodrome.
In 1985 Starr released “It Ain’t Fair”. Despite garnering the attention of many in the soul and dance clubs, it fell short of becoming the hit many felt it deserved to be.
In 1988 Starr teamed up with the popular and successful Stock, Aitken and Waterman production company for the club hit “Whatever Makes Our Love Grow”.
In 1989, a number 17 uk hit by the Cookie Crew called “Got to Keep On” sampled a portion of “25 Miles” [1]. This track was then featured on a 1990 dance medley made for the BRIT Awards which made number 2 in the UK Singles Chart [2]. A club mix of various artists, it included the previous years remix of “25 Miles”. Starr also appeared on the charity number one single “Let It Be” by Ferry Aid, again a various artist project.
Starr resurfaced briefly in 2000, to team up with the UK band Utah Saints to record a new version of his song “Funky Music Sho Nuff Turns Me On”. He appeared again in 2002 to record a song with the British musician Jools Holland, singing “Snowflake Boogie” on Holland’s compact disc More Friends; and to record another track with Utah Saints, a so far unreleased version of his number one hit “War” – his last ever recording.
Starr remained a hero on England’s Northern Soul circuit – and also in Germany, where his energy and dedication to delivering a quality performance were greatly appreciated. He was affectionately renowned to be “The nicest man in Showbiz.”
Edwin Starr died of a heart attack at the age of 61 in his home in Beeston near Nottingham.

Black Magic Woman

Black Magic Woman is natuurlijk niet van Santana, maar van early Fleetwood Mac. En dan natuurlijk van Peter Green. Maar ik hoorde op de radio een song van Otis Rush en wat bleek (na wat zoekwerk) : de kans is groot dat Peter Green geinspireerd werd door (of het gepikt heeft van) Otis Rush nummer “All your Love”.
Nu wachten op het moment dat de inspiratiebron van Rush opgespoord wordt …

Even wachten tot de naald op het vinyl valt 🙂

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